An American relative by marriage arrives pays a call in Westminster, a link to the more interesting, artistic, Forsytes in time to be present at a new scandal. Soames overhears a guest at one of his daughter's parties make a disparaging remark about Fleur and defends her. What should have only been some ruffled feathers turns into a major concern and underlines just how much society has changed since the Great War.
While I have come around a bit in regards to Fleur, I still find her irritating. The social nature of this plotline had little of the dramatic edge of 'The White Monkey' for me. Mont's attempts to make a name for himself in politics is interesting historically, but also didn't have the drama I loved in the first trilogy of Forsyte novels.
What made this book readable was Soames, of course. His own interior distress at the changing times and his attempts to do right by his daughter were sympathetic and made for good reading. Soames is still moving well in financial currents and has developed an understanding of fine art, but emotions and what makes people tick are still a mystery to him. The American cousin, Francis Wilmot, has his own struggles with his fascination for the lovely and modern girl who sparked Soames outrage.
This was an interesting social critique of London society and to an extent global politics of the 1920s. I would still only recommend this for Forsyte fans.
'A Modern Comedy'
Next: 'Swan Song'
Previous: 'The White Monkey'